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Bright Light Award {Photographers Charitable Cause}

This week, I’m excited to share this exciting charitable cause founded by one of our long-time members, Kelly Quashnick of Creatively Yours Photography in Spokane, Washington.

Chrissy 45 Bright Light Award {Photographers Charitable Cause}What is the Bright Light Award?
It is an award for a deserving upcoming senior. We look for an outstanding student, or someone that has overcome a personal or family difficulty, or someone who is a great community servant.

Who sponsors the award?
It is sponsored by myself, Kelly Q with Creatively Yours Photography, Finders Keepers a local boutique, Jenn Barlos with Elixir Salon, and Shasta Hankins, a freelance makeup artist.

Chrissy 16 Bright Light Award {Photographers Charitable Cause}

What does the recipient receive?
The senior receives an amazing senior portrait experience. The winner receives a $150 gift certificate to go shopping at Finders Keepers, which has a large selection of gorgeous dresses, skirts, shorts, and tops, plus tons of fabulous accessories.   Then Jenn Barlos, of Elixir Salon, sets up an appointment for a beautiful new haircut to be done about 2 weeks prior to the session and also offers complimentary styling on the day of the session.  On the day of the session, Shasta Hankins  applies makeup for the winner.  Then they come see me for their senior pictures! After the session, the senior and their family gets to come over for their Image Premier where they will select 10 digital images to be able to print and share.

Who can receive this award?
Anyone from the Class of 2014 can receive the award this year. The deserving senior must live in the greater Spokane- Coeur d’Alene ID metropolitan area and can attend any local public or private school, or even be a homeschool student.

Chrissy 8 Bright Light Award {Photographers Charitable Cause}How do you receive nominations?
Anyone can nominate a student. In the past we’ve received nominations from parents, teachers, coaches, and friends. They can find the link to the nomination form on my blog.

How did you get involved with the Bright Light?
The Bright Light was started in 2011 with myself, Finders Keepers, and Shasta Hankins. We started the award to acknowledge the amazing high school students in our area. So often in our society high school students are not acknowledged for all they do both academically and in the community, plus acknowledging the adversities they’ve overcome. We wanted to show them some love and our support!

How long has the Bright Light been going on?
We started the Bright Light in 2011, and gave out the first award last summer to Chrissy. Chrissy received the award to recognize her amazing academic success in the face of a huge obstacle in her learning journey. She also serves at several different community outreaches. It was our pleasure to work with her. She is a sweetheart and it was such an honor to be able to create an amazing experience for her.

Chrissy 61 Bright Light Award {Photographers Charitable Cause}

Who decides who will receive the award?
All of the sponsors will decide who will receive the award. As the nomination period draws to a close, I will forward all the nomination emails to the other sponsors. Together we make a decision on who will be our award winner. Last year was a tough choice, but also a unanimous decision. We are looking forward to all of the nominations this year!

Can others get involved in the Bright Light?
I would love to see other senior portrait photographers follow in our footsteps! I believe it is truly an amazing thing to be able to offer this to the community. You can start out small by doing it alone as a photographer, or reach out to the community and have other businesses join you. I’d love to hear what others are doing to recognize seniors in their own area!

Thanks so much, Kelly, for sharing this wonderful cause with our readers.  I agree that it would be really great to have other senior portrait photographers join in and create a similar community give-back campaign.

Chrissy 37 Bright Light Award {Photographers Charitable Cause}

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Pet Photography Workshop – Lake Tahoe

ANNOUNCING THE NEXT – PAW PRINT DIVAS WORKSHOP

AUGUST 22-24, 2013

in the tranquil beauty and splendor of

LAKE TAHOE

iStock 000002715083Small1 Pet Photography Workshop   Lake Tahoe

ppdwidget custom image 22 1362411682 copy Pet Photography Workshop   Lake Tahoe

*This intensive & fun 3-day hands-on workshop will include:

Dog Photography & Post Processing

all with an emphasis on the creative process and

Business & Marketing for the Dog Photography Business Model.

$1175

Enrollment is limited to only 12 attendees.

This workshop will fill up quickly, so we encourage you to register early.

This workshop is for the serious amateur to seasoned professional photographer.

Attendees should have a basic understanding of exposure, photographing using manual mode and feel comfortable working with dogs.

For more information, please visit Paw Print Divas Website

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Now I Lay Me Down To Sleep {Photographers Charitable Cause}

sandytyson300px Now I Lay Me Down To Sleep {Photographers Charitable Cause}This week’s post is brought to us by Sandy Tyson of Heavenly Eye Photography in Jacksonville, North Carolina.  She gives freely of her time to families in need of bereavement portrait services through the charity Now I Lay Me Down to Sleep.

“When moms have babies, they study every detail of that baby, day after day. When a baby is taken too soon, mom has one day or mere hours to learn every detail of the precious child. Having photos of our daughter is the greatest gift to remember her sweet little face. We cherish them.”  Written by Maggie’s Mommy.

Maggie was born and passed away on May 3, 2012, and Sandy was there to give the grieving family a printed memory of their baby.  Sandy also had the honor of photographing Maggie’s Mommy today; she is in her third trimester with Maggie’s little sister.

IMG 9384eweb Now I Lay Me Down To Sleep {Photographers Charitable Cause}

What is NILMDTS and how did it get started?
Now I Lay Me Down To Sleep is a non-profit organization that provides infant remembrance photography through a network of professional photographer volunteers. It came about when Sandy Puc’ and Cheryl Haggard realized portraits were an integral part of healing for Cheryl. Cheryl’s son, Maddux Achilles Haggard was born on Feb 4, 2005. They were told that he would not make it, so on his sixth day of life Cheryl and her husband had chosen to have Sandy Puc’ come in to document his short life. They wanted black and white portraits to remember him by. Those portraits were the start of joining together to help other families in the same situation. The organization was founded in April 2005. They named it Now I Lay Me Down To Sleep after the children’s bedtime prayer. In the eight years since it was founded, there have been over 11,000 volunteers that have participated. NILMDTS is in every state and has reached 40 countries across the world.

NILMDTS LOGO Now I Lay Me Down To Sleep {Photographers Charitable Cause}



Why did you choose this organization as your charity?
NILMDTS is so important to families who have lost an infant or child. It is such a blessing to be able to deliver images of their child for them to keep forever and have something tangible to keep their memory alive. It is very difficult at the time of the session and when I edit, but I know that these will bring healing for the family involved. I have been a volunteer for just over a year now.

How do families know who to contact in their time of need?
Usually the families are asked by the hospital staff if they would like to have a photographer come in to photograph their child and family. The hospital then contacts the area coordinator who in turn contacts the on-call photographer. Right now there are only three active volunteers serving two hospitals in Jacksonville, NC.

What do families receive and do they need to pay anything?
The families receive the session and a disk of all of the edited images at no cost to them. The photographers volunteer their time and any resources needed.

What is the process like from your perspective?
There are no typical sessions, every single one is different. They start the same though. When the doctor knows that the baby will not make it, or has already perished, the parents are asked if they would like to have a volunteer photographer come in. If they do, the nurse or Chaplain will make the call to the area coordinator. Moms may still be in the process of labor when the coordinator calls me. That information is passed to me to help set the timetable. I try to get there as soon after birth as possible. I do a lot of praying and prepping myself in the car on the way. It is always a different scenario, so I usually walk in with only the basic information. I go straight to the nurses’ station to talk with the nurses and the chaplain. After making sure the paperwork is filled out, I ask the nurses if there are any empty rooms to leave my gear in and then take only the bare essentials into the parents room. I talk with the family to express my condolences and ask them about who they want in the images. Some parents do not want to be in the portraits, most do. When I have a plan, I start setting up and photographing. I start with room shots, the contraction monitor and then start with my list of poses for the family and the infant. There are no set poses per se, but a list of breakdowns. Example: baby alone, mom and baby, dad and baby, both parents and baby, etc. I know that seems basic, but the emotions in the room are usually so palpable that I will lose my direction if I don’t have a set plan. After photographing, I tell the parents about the rest of the process. I will then leave and go back to the room with my gear and cry. My heart breaks for each and every family. It is an effort to keep it together in the room with the parents, but these families do not need a photographer breaking down in front of them. It is their loss, I’m only there to photograph it. After I compose myself again I ask the nurses to make sure the parents have my contact information and the NILMDTS information. Then I go back to the studio and make a back up of the images. I usually wait a few days to edit the images, allowing time to process and then I’m able to go back and give the images the attention they deserve. It is always hard, but it is something that gives me hope for these families.

How do you, personally, deal with the emotional stress of this job?
It’s a very real stress of the job. A lot of photographers find that they cannot handle it after a few sessions. It has been very challenging for me, but I try to put myself into the parents’ shoes. It brings perspective back to the reason I wanted to do this, which is to help these families. I only have one image of one of the two babies I lost from miscarriage. It’s an ultrasound image and it proves to me that my child was real and was mine. So while I do not have the full experience that they are going through, I do understand that those images will comfort parents who are aching with empty arms.

What sort of training is required of photographers?
NILMDTS is very particular in their selection process. Here is an excerpt from their website.  “Thank you for your interest in becoming an affiliated photographer for NILMDTS. Due to the nature, sensitivity, and complexity of this work, many factors exist in which most photographers wouldn’t consider necessary to fill this role. Our work seeks to help families soften their pain, and help create photographic memories of their baby that they can be proud to share with other family members and future generations.  Please view this application in the same manner you would for a professional photographer position. Submit your best portrait work showing your ability to use auxiliary lighting and natural lighting. If you were applying at a magazine for a photographer position you would submit the appropriate professionally crafted photos, your best photos in hopes of obtaining that position. In this case, we need to see abilities in portrait work. “

How can other photographers apply to become a participating member?
Here is the volunteer application page https://www.nowilaymedowntosleep.org/volunteer/photographer-application/

Anything else you care to share?
I know it sounds cliche’, but this is the hardest job you will ever love. It is one of the most difficult situations to be a part of. But it isn’t about me, of course. I’m just along for the moment and to be a blessing in a small way. I feel just a tiny piece of what these parents are going thru and know that I need to do something to help ease their pain, even something small. Thank you for allowing me to share. Please visit NILMDTS and consider volunteering, there are so many hospitals that still need photographers.

For more information about this charitable organization, please visit the website at https://www.nowilaymedowntosleep.org or the Facebook fan page at  https://www.facebook.com/nilmdts.

 

 

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Behind the Scenes with Heather Leigh {Macro Photography Project}

HeatherRafiibiopic1 1294437159 Behind the Scenes with Heather Leigh {Macro Photography Project}We’re so excited to bring to you a behind the scenes post about macro photography with Heather Leigh.  Her best friend was moving into a new home and the daughter’s favorite thing is rainbows.  Knowing this, Heather set out on a project around the rainbows theme to create a unique art piece for the child’s room.  ”I didn’t want to send just empty frames so I thought, What would a Kindergartner like?  Crayons, colored pencils, fruit & candy?”, said Heather.  I’ll let her tell you all the details.  

Part of the beauty of shooting macro is that any props used will be small, and therefore not as expensive.  For instance, instead of using a fancy backdrop, I used scrapbooking paper from Michaels Arts & Crafts store.  Can’t beat 45 cents per background!   For all of the images in this series, I used a Nikon d700 with a 105 2.8 lens and a Manfrotto tripod. I did set up a tripod for these shots since I was using natural “frontal” light and a few of my shots were down to SS 1/10. With my portrait photography I usually shoot at 1.8-2.2 so it’s hard to remember that with macro you really close down your F stop so everything is in focus. I like at least F11 to F16.

I did the project all in the same day, though it took me a while to find all the rainbow candy beforehand.  I found the coolest candy store in Baltimore, MD called It’s Sugar…it’s a candy store on steroids.  I found the rock candy sticks there and the individual M&Ms and even rainbow Twizzlers that I tried sticking in the seltzer water.  That didn’t work out so well and the Twizzlers got slimy rather quickly.

Here is a pullback of the scene.  As I prepared to shoot each of the different fruits, I would just switch out the fruit and paper color.  I also put in some fresh seltzer water each time.  It is very fizzy at first, and the final image will look different if you let the seltzer rest a bit.  The choice is up to you – that’s what makes this type of work so much fun!

HeatherLeighPhotography OrangeSliceMacro PullBack Behind the Scenes with Heather Leigh {Macro Photography Project}

This first image is of an orange slice with a blue paper background.  This was shot at ISO 640, SS 125 at F11.

HeatherLeighPhotography MacroOrangeInSeltzer Behind the Scenes with Heather Leigh {Macro Photography Project}

This slice of kiwi was actually the first fruit I put in to the seltzer. As you can see, it is more fizzy.  In order to ‘blur’ out the fizz, I lowered my SS to 1/10 my other settings were  ISO 200 and F16.

HeatherLeighPhotography KiwiFruitInSeltzerMacro Behind the Scenes with Heather Leigh {Macro Photography Project}

This is a Star Fruit. It kept bouncy around in the water so it was hard to get one upright!

HeatherLeighPhotography StarFruitMacroInSeltzer Behind the Scenes with Heather Leigh {Macro Photography Project}

 

Switching up to try things besides fruit. My daughter was not happy when she realized I put in HER colored pencils. I taped these together first to help keep them tight.

HeatherLeighPhotography ColoredPencilsMacroInSeltzer Behind the Scenes with Heather Leigh {Macro Photography Project}

Different view. Here I went down to F6.3 and laid the pencils on a pink paper with green in the back.

HeatherLeighPhotography ColoredPencilsMacro Behind the Scenes with Heather Leigh {Macro Photography Project}

Yumm. Rock Candy Swizzle sticks.

HeatherLeighPhotography RockCandyMacro Behind the Scenes with Heather Leigh {Macro Photography Project}

And lastly, these are some rock crayons. They are placed on my wood table with a orange paper background with the F-stop at 3.2, which gave the effect of blending the table and background together and even gave the reflection.

HeatherLeighPhotography RockCrayonsMacro Behind the Scenes with Heather Leigh {Macro Photography Project}

This was the final result.  The frames are from Organic Bloom and are 3×3 squares with the twine hangers pre-attached.  In hindsight, it would have worked better to use 2×3 frames since the images didn’t crop to square format as well as I would’ve liked.

HeatherLeighPhotography MacroSeries Behind the Scenes with Heather Leigh {Macro Photography Project} 

Be sure to check out my blog where you can enter to win a 16×20 Gallery Wrapped Canvas of either the Orange in Water or Colored Pencils in Water. YOU CHOOSE!

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Kelly Q - April 29, 2013 - 10:34 am

Love these Heather! Thanks for explaining how you did it. I’m dying to get a macro now!

Danielle - April 29, 2013 - 8:27 pm

Wow! So interesting and amazing!

Behind the Scenes: Baby Trade Show {Ellie Williams, Melbourne Australia}

EllieWilliams ProfilePhoto Behind the Scenes:  Baby Trade Show {Ellie Williams, Melbourne Australia}This week, I’m turning over the reigns to one of our long-time members, Ellie Williams of Pitter Patter Portraits in Melbourne Australia.  Ellie is going to tell us about her experience working as a vendor at a large event.

Last year, for the first time, I signed up to have a booth at the Melbourne Baby and Toddler Show. I was terrified! I had never done anything like this before, not even on a small scale, and this was big, I mean really big – 15,000 people through the doors over 3 days! In addition to the size, the investment to just attend the show was huge for me, and the booth fee was only about 40% of the total cost, so I had a lot riding on this.

In my past life, I had attended a few trade shows, but I was usually in charge of the technology and had never done anything to do with marketing, set-up and promotion of the event. So I had a very big learning curve this time. I spoke to many people, read books and watched many marketing videos and, after 3 months of preparation, I put together my first successful trade show. Needless to say, I learned a few things along the way. This year I went back and did it again and it was even more successful than last year. Today, I am sharing with you some tips for having a successful trade show booth of your own.

1. Define your objectives. Why are you doing this? Is it to raise your profile? Is it to increase your database? Are you doing it to sign up new clients? Without clear objectives, it will be hard for you to plan the event and also you will have no way of measuring your success.

2. Is this the right show/market/expo for you and will it help you reach your objective? How many people will be attending? Are they your target market? What is the demographic? What do the attendees hope to get out of the show (ie., what are their objectives and do they align with yours)? Don’t be afraid to ask the organizers lots of questions, especially since you are paying to have a booth there.

babyandtoddlershow2012 21 Behind the Scenes:  Baby Trade Show {Ellie Williams, Melbourne Australia}

3. Location, Location, Location (your booth, not the event). Will you get enough foot traffic? Who else is near you? What are they offering? Can you leverage from their activities? Again, the event organizers have this information and are usually more than happy to share it. Don’t forget your success is their success, the better you do, the more people you will tell and the more popular the event will be.

4. Booth activity. This is all the activities you need to do to meet your objectives. Will you run a competition so that you can collect information for your database? Do you offer a show special to entice clients to sign up or make a purchase. Try to align your offerings with what you do.  My first year, I offered a portrait package with a high retail value.  This year, I had a giveaway for an iPad mini.  Both were successful in that I was able to get a lot of attendees to sign up for my mailing list in exchange for them getting a chance to win the offered prize.

5. Booth layout. Now you decide what you want to display and how you want to set up your booth to market your activities and support your objectives. Try and keep it clean and simple, don’t over clutter and over confuse your clients. If possible, have plenty of walk-through space so that there is a good flow of people through your area. If you have the ability, hang images at eye level. If you cannot hang anything, use sturdy easels or have your work printed on vertical retractable banners. Larger pieces will make a bigger impact than several tiny ones.  Here is my booth from this year’s show:

babyandtoddlershow2013 3 Behind the Scenes:  Baby Trade Show {Ellie Williams, Melbourne Australia}

6. Marketing Material. Make sure your marketing material reinforces your branding and have your contact details very clearly on them.  Many attendees will rush through the event, gathering up all printed materials which they will then review once they return home.  So the brochures or other handouts you provide need to be enticing enough to make your business stand out from the others.

7. Staffing. I cannot iterate this enough. Staffing is the most important aspect in running a successful event. You need people there to talk to attendees. As you have already figured out, our clients are women. Women like to talk, and like building relationships. You can have the most amazing booth, a fabulous give-away and jaw dropping offers, but if no-one is there to shout about it, then no-one will hear about it.

8. Follow-up.  About a week after the show, it’s really important to follow-up with everyone whose contact information you collected. Please don’t spam them but, if you ran a competition, send an email to announce it, or if you were doing a promotion, this is a great time to “extend” it for just a couple of days. This will remind people who you are and, if any of them were interested, this will be the nudge they need to call you.

Ellie Williams is a portrait photographer in Melbourne, Australia. To see her work and learn more about her, please visit her website at http://www.pitterpatterportraits.com.au or become a Facebook fan at http://www.facebook.com/childrenphotography.

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Jenny - April 22, 2013 - 6:43 pm

Beautiful display and fabulous advice! Thank you for sharing!

kimhill - April 23, 2013 - 6:02 am

Love all the great questions! Definitely helps to think about everything prior to setting up the booth.

Tracy - April 25, 2013 - 7:31 am

This is great advice. I can tell a lot of work in to your display. Very well organized and the colors look awesome!

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